[..]
Evil is not darkness,
it is noise. It crowds out possibility,
which is to say
it crowds out silence.
History is full of it, it says
that no one listens.
The sound of wind in leaves,
that was what puzzled me, it took me years
to understand that it was music.
Into silence, a gesture.
A sentence: that it speaks.
This is the mystery: meaning.
Not that these folds of rock exist
but that their beauty, here,
now, nails us to the sky.
The afternoon blue light in the fjord.
Did I tell you
I can understand the villagers?
Being, I have come to think,
is music; or perhaps
it's silence. I cannot say.
Love, I'm pretty sure,
is light.
You know, it isn't
what I came for, this bewilderment
by beauty. I came
to find a word, the perfect
syllable, to make it reach up,
grab meaning by the throat
and squeeze it till it spoke to me.
How else to anchor
memory? I wanted language
to hold me still, to be a rock,
I wanted to become a rock myself. I thought
if I could find, and say,
the perfect word, I'd nail
mind to world, and find
release.
The hand moving is the hand thinking:
what I didn't know: even the continents
have no place but earth.
[..]
__
Jan Zwicky, ‘The Geology of Norway’, Songs for Relinquishing the Earth.
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