the blessing/ joyce carol oates

Barefoot daring
to walk
amid
the thrashing eye-glitter
of  what remains
when the tide
retreats
we ask ourselves
why did it matter
so much
to have the last
word?
Or any
word?

Here, please—
take what
remains.
It is yours.


: joyce carol oates, ‘the blessing’; poetry magazine july/august 2020

suggested donation/ heather christie

In the morning I drink
coffee until I can see
a way to love life
again. It's okay, there's
no difference between
flying and thinking
you're flying until
you land. Somehow
I own like six nail clippers
and I honestly can't
remember ever buying
even one. My sister
came to visit and
saw them in a small
wooden bowl. I
heard her laughing in
the bathroom. I hope
she never dies. There's
no harm in hoping
until you land.
The deer are awake.
Is one pregnant?
If they kept diaries
the first entry would
read: Was born
Was licked
Tried walking
Then they'd walk
away and no second
entry would ever exist.
I run the deer's
archive. It's very
light work. Visitors
must surrender
their belongings.
Surrender to me
your beautiful shirt.

: heather christie, ‘suggested donation’; via poetryisnotaluxury

the morning paper/ mary oliver

 Read one newspaper daily (the morning edition
     is the best
for by evening you know that you at least
     have lived through another day)
and let the disasters, the unbelievable
     yet approved decisions,
soak in.

I don't need to name the countries,
     ours among them.

What keeps us from falling down, our faces
     to the ground; ashamed, ashamed?

: mary oliver, ‘the morning paper’; a thousand mornings

the visit/ jane kenyon

The talkative guest has gone,
and we sit in the yard
saying nothing. The slender moon
comes over the peak of the barn.

The air is damp, and dense
with the scent of honeysuckle. . . .
The last clever story has been told
and answered with laughter.

With my sleeping self I met
my obligations, but now I am aware
of the silence, and your affection,
and the delicate sadness of dusk.

: jane kenyon, ‘the visit’; the boat of quiet hours

#1099/ emily dickinson

My Cocoon tightens — Colors
   teaze —
I'm feeling for the Air —
A dim capacity for Wings
Demeans the Dress I wear —

A power of Butterly must be —
The aptitude to fly
Meadows of Majesty concedes
And easy Sweeps of Sky —

So I must baffle at the Hint
And cipher at the Sign
And make much blunder, if at last
I take the clue divine

: emily dickinson, #1099; the complete poems of emily dickinson

sometimes/ david whyte

Sometimes
if you move carefully
through the forest,
breathing
like the ones
in the old stories,
who could cross
a shimmering bed of leaves
without a sound,
you come to a place
whose only task
is to trouble you
with tiny
but frightening requests,
conceived out of nowhere
but in this place
beginning to lead everywhere.
Requests to stop what
you are doing right now,
and
to stop what you
are becoming
while you do it,
questions
that can make
or unmake
a life,
questions
that have patiently
waited for you,
questions
that have no right
to go away.

: david whyte, ‘sometimes’; everything is waiting for you

small kindnesses/ danusha laméris

I've been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say "bless you"
when someone sneezes, a leftover
from the Bubonic plague. "Don't die," we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don't want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, "Here,
have my seat," "Go ahead—you first," "I like your hat."

: danusha laméris, ‘small kindnesses’ (translated by armando alcaraz); via poetryisnotaluxury

//

quoi?

ada limón adrienne rich ali smith alice notley alice oswald anne boyer anne brontë anne carson anne truitt anne vegter annie dillard antjie krog audre lorde bhanu kapil carry van bruggen catherine lacey cees nooteboom charlotte brontë charlotte salomon chimamanda ngozi adichie chris kraus christa wolf claire messud claire vaye watkins clarice lispector david whyte deborah levy durga chew-bose elif batuman elizabeth strout emily brontë emily dickinson emily ruskovich ester naomi perquin etty hillesum f. scott fitzgerald feminisme fernando pessoa han kang helen macdonald henri bergson henry david thoreau hermione lee herta müller jan zwicky janet malcolm jean rhys jeanette winterson jenny offill jessa crispin joan didion john berryman joke j. hermsen josefine klougart kate zambreno katherine mansfield kathleen jamie katja petrowskaja krista tippett layli long soldier leonard koren leonora carrington leslie jamison louise glück maggie anderson maggie nelson marcel proust margaret atwood marie darrieussecq marie howe marja pruis mary oliver mary ruefle maría gainza neil astley olivia laing patricia de martelaere paul celan paula modersohn-becker poetry poëzie rachel cusk rainer maria rilke raymond carver rebecca solnit robert macfarlane sara ahmed sara maitland seamus heaney siri hustvedt stefan zweig susan sontag svetlana alexijevitsj sylvia plath ta-nehisi coates teju cole terry tempest williams tess gallagher tjitske jansen tomas tranströmer tracy k. smith valeria luiselli virginia woolf vita sackville-west w.g. sebald yiyun li zadie smith

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